# Tools & Techniques for AR/VR Media [^note]: Related AR/VR essays: [Apple Will Win The AR/VR Wars](/apple-will-win-vr), [AR Demands Peripherals](/ar-peripherals), [Bananas Will Become Smartphones](/banana-phone), [Monomode and Multimode in Augmented Reality](/ar-modes), [Claim a Domain in the Wet Web](/wet-web), [AR Interoperability Opportunities](/ar-interop) Film techniques were tweaked for decades after the dawn of cinema. Today's film fundamentals weren't always obvious: scenes, cuts, angles, montage, audio, lenses, edits, dialogue, special effects, subtitles, etc. Everything had to be invented. ## Techniques AR/VR media is fledgling. Pioneers are generally treating the medium as "fancy" film and "fancy" video games. Most of the technical landscape remains unexplored. Here's a list of foreign territories for the coming decades: - AR/VR "split screen" - change relative size compared to surroundings (shrink/grow) (e.g. distance between eyes) - 3D scene transitions - allow multiple people to view the same movie synchronized from multiple views (e.g. the movie "plays" on a tabletop) - head-track vs. room-track - toying with eye dominance - 3D rotation around observer - change FOV - 360-degree storytelling - "shaky" cam - flatten or exaggerate or invert depth (in different areas of view) - display different content in each eye - non-flat AR/VR subtitles/text ## Editing Tools New ship technology and magnetic compasses sparked Europe's [Age of Discovery](https://en.wikipedia.org/wiki/Age_of_Discovery). AR/VR cannot be explored until artists can navigate the new landscape. AR/VR editing suites need new features: - foreground/background separation for "transparency" modes - editors for AR/VR devices; seamless editing/playback on a single device - head-track vs. room-track params for 3D films - easy spatial transforms for 3D environments - catalogue of 3D scene transitions - FOV automator - easy cropping/recentering - 3D video stabilization - depth editing - per-eye editing and "rasterization" - AR/VR subtitle generators